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Greetings, and welcome to VIEWING THE CLASSICS. Here you'll find capsule reviews of vintage movies from the early days of cinema through the 1970s, with a special emphasis on sci-fi, horror, and mystery movies. Be sure to check out the Pages links, where you can find a Film Index of all my reviews, links to the reviews organized by cast members, directors, and other contributors, and links to my reviews of the films of talented young director Joshua Kennedy.

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Sunday, March 24, 2019

Vertigo (1958)

Starring James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones
Directed by Alfred Hitchcock
(actor & director credits courtesy IMDB.com)

A police detective who's entered into retirement due to his crippling vertigo is asked by an old friend to follow his wife, whom he fears has been possessed by a spirit from the dead.

One of the great films of any era, this is not just a mystery or a love story, but a tale of obsession on the level of a Greek tragedy, beautifully filmed and acted.  Stewart's character is imbued with the actor's natural charm and delivery, but also requires he goes into the darker corners of the man's psyche, and the actor does an excellent job of showing how desperate his mind his is to recover what he loses.  Novak, in dual roles, playing the upper-crust and refined Madeleine, and later the more earthy and independent Judy, is also exceptional, and Bel Geddes is endearing and amusing as Stewart's former flame who still has a friendly relationship with the detective.  Relying less on expository dialogue than the camera and clever editing by George Tomasini to tell the story, Hitchcock takes the audience into the narrative perhaps more personally than any of his other films.  Bernard Herrmann's excellent score also heightens the emotional tension and is an important component in the film's storytelling, particularly his wonderful cue "Scene d'amour," which underscores Stewart and Novak's passionate romance.  It's a great film, and one worth revisiting again and again.

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