Starring Kerwin Mathews, Jo Morrow, June Thorburn, Lee Patterson, Gregoire Aslan
Directed by Jack Sher
(actor & director credits courtesy IMDB.com)
Dr. Lemuel Gulliver sets off to earn fame and fortune as a ship's physician, but falls overboard and ends up on islands inhabited by races of tiny people and tremendous giants.
Ray Harryhausen provides the special effects for this adaptation of Jonathan Swift's Gulliver's Travels, but it's a very condensed version of the novel, omitting all but Gulliver's first two voyages, and adding story elements missing from Swift, although some of the famed author's satire is preserved. There's only two stop-motion animated creatures in the film from Harryhausen, a ravenous alligator and a squirrel, who menace Gulliver in the land of the giants, but the combination of rear projection, oversized and undersized props, and other effects, are very finely done as well to create the illusion of a giant Gulliver in Lilliput and a tiny one in Brobdingnag. Mathews, returning for his second Harryhausen film after The 7th Voyage Of Sinbad, is just fine as Gulliver, he's supported by a fine roster of distinguished players, and Bernard Herrmann's score is most welcome. However, the picture drags a bit from time to time, and could have used more of Harryhausen's fantastic creatures.
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Showing posts with label Jo Morrow. Show all posts
Showing posts with label Jo Morrow. Show all posts
Sunday, May 6, 2018
Thursday, April 19, 2018
13 Ghosts (1960)
Starring Charles Herbert, Jo Morrow, Martin Milner, Rosemary DeCamp, Donald Woods
Directed by William Castle
(actor & director credits courtesy IMDB.com)
A struggling museum paleontologist moves his family into a mansion he inherits from his uncle, dismissing the stories it's haunted by ghosts, only to find out they're frighteningly genuine.
A favorite of mine among William Castle's productions, although I think the director would have been better off ditching the "supernatural viewer" gimmick, encouraging audience members to use the viewer's colored lenses to view or block out the rendering of red-colored ghosts against blue-colored film. Although there's a certain fun factor going along with the gimmick, the movie is perfectly enjoyable on its own merits, with an engaging cast including the good-natured and likable Woods, the beautiful and charming Morrow, and Milner in a slimy role 180 degrees from his decent cop on the Adam-12 TV series. It's also great to see Margaret Hamilton (the Wicked Witch of the West in The Wizard Of Oz), adding gravitas to her role as the mysterious housekeeper, and young Charles Herbert in one of his best turns as the youngest of the family. Time and technology have not been kind to the film's special effects, with the wires holding up flying objects more than evident in the DVD I viewed, but there's enough eerie and charming moments to make the film continue to be a fun diversion for years to come.
Directed by William Castle
(actor & director credits courtesy IMDB.com)
A struggling museum paleontologist moves his family into a mansion he inherits from his uncle, dismissing the stories it's haunted by ghosts, only to find out they're frighteningly genuine.
A favorite of mine among William Castle's productions, although I think the director would have been better off ditching the "supernatural viewer" gimmick, encouraging audience members to use the viewer's colored lenses to view or block out the rendering of red-colored ghosts against blue-colored film. Although there's a certain fun factor going along with the gimmick, the movie is perfectly enjoyable on its own merits, with an engaging cast including the good-natured and likable Woods, the beautiful and charming Morrow, and Milner in a slimy role 180 degrees from his decent cop on the Adam-12 TV series. It's also great to see Margaret Hamilton (the Wicked Witch of the West in The Wizard Of Oz), adding gravitas to her role as the mysterious housekeeper, and young Charles Herbert in one of his best turns as the youngest of the family. Time and technology have not been kind to the film's special effects, with the wires holding up flying objects more than evident in the DVD I viewed, but there's enough eerie and charming moments to make the film continue to be a fun diversion for years to come.
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